Author Archives: Esther

Tim Persent

Tim Persent was born in South Africa in 1964. After graduating from Rambert School of Ballet and Contemporary Dance in 1986, he initially danced for Second Stride and Rambert Dance Company in London. From 1987 to 1994 he was a permanent member of the Rotterdamse Dansgroup. In the early 1990s he also worked with Ton Simons and the Brenda Daniels Dance Company in New York. In the Netherlands, he continued to perform in works by the choreographers Krisztina de Châtel, Paul Selwyn Norton, Michael Schumacher and Roland Shankula. From 1994 to 2018 he has been a dancer and artistic collaborator with the dance company LeineRoebana in Amsterdam.

Tim Persent received major Dutch arts awards for his dancing, the Silver Dance Prize in 1993, the Golden Swan in 2004 and the Merit Award from the Danish foundation Stichting Dansersfonds ’79 in 2024. To mark his 25th stage anniversary, he curated A Dance Concert at Holland Dance Festival in 2012, with works by Ton Simons, Richard Alston, LeineRoebana, Richard Alston and Ann van den Broeck.

Alongside his dance career, Tim Persent has worked for several cultural institutions in different capacities. He served as Artistic Director of the International Theaterschool Festival from 2005 to 2016 and is on the board of the KunstenDialoog Foundation. He has consulted the Dutch Arts Council and Performing Arts Fund, taught at CODARTS Dance Academy in Rotterdam and is the first certified MUNZ FLOOR and MUNZ BARRE coach in the Netherlands since 2019.

Tim Persent is member of the Dance On Ensemble since 2019 and performs in works by Merce Cunningham, Jan Martens, Christos Papadopoulos and Colette Sadler.

Jone San Martin

Jone San Martin, born in Donostia/San Sebastian, Spain, in 1966, studied dance with Mentxu Medel at the Institut del Teatre in Barcelona and at Mudra International in Brussels. She was a dancer at the Ballet Nacional de España, at Ulmer Theater, with Jacopo Godani in Brussels and at the Ballet Royal de Wallonie in Charleroi. She joined Ballett Frankfurt in 1992 and was a dancer at The Forsythe Company from 2005 to 2015.

Since 2000, she has choreographed many of her own works. She was a guest at the Avignon Festival in 2004 where she performed the solo “Tourlourou”, created for her by Carlotta Sagna, as part of the ‘Sujets à Vif’ series. In 2006, she received the Lifetime Achievement Award from the Asociación de Profesionales de Danza de Gipuzkoa. Since 2014, she is Associated Artist of Dantzaz Kompainia in Donostia. She curated the Performing Arts Programme for DDSS16 (Donostia/San Sebastian Cultural City in Europe 2016). Jone has been a member of the Dance On Ensemble since 2015.

Currently, her choreographic research focuses on communication, collaborating with non-hearing persons and sign language translators to reveal the powers of physical languages. Her recent works on deafness include “ADITU 1” (San Sebastián), “ADITU 2” (Pfalztheater Kaiserslautern and Palzinstitut für Hören und Kommunikation, Frankenthal), and “sORDA”, a new solo premiered at Matadero Madrid.

Jone San Martin has been a member of the Dance On Ensemble since 2015.

Marco Volta

Marco Volta, born in Turin in Italy in 1969, studied dance at “Lo Studio” Dance School Bussoleno, Italy. Since 1994 he has performed for several theaters and independent dance groups in Italy, Germany, Austria, Switzerland and Ireland, among them Balletto Teatro di Torino, Tanztheater Wien, Theater Freiburg/Heidelberg, Theater St.Gallen, CoisCéim Dance Theatre, Anna Huber.

Marco is not only a member of the Dance On Ensemble since 2019, but also works currently with Compagnie Prototype Status (Vevey) and in the Basel dance scene for MIR Compagnie, Verein Joachim Schloemer & Friends, del Rio Company, Sol Bilbaio Lucuix.

Marco has always been fascinated by the fusion of different dance styles that have led him to collaborate with flamenco and urban dance artists. As a choreographer he has created several works that have been presented in Seoul, New York, Turin and Basel, among other places.

Aside from his dancing, Marco has a teaching practice at several academies, theatres and training institutions for professional dancers. He is currently Lecturer at the Zurich University of the Arts, Bachelor of Arts in Contemporary Dance. He also works with children and teenagers, for example with the miniMIR Education Dance Program. In 2015 he obtained a Diploma of Advanced Studies in Dance Culture at the University Bern.

Lia Witjes Poole

Lia Witjes Poole was born in 1979 in Ontario, Canada, and received her formal dance education at Arts Umbrella in Vancouver, British Columbia.

Lia’s professional career began in Toronto, where she joined Desroisiers Dance Theatre. In 2000, she relocated to the Netherlands and quickly made a name for herself as a versatile independent artist. Over the years, she collaborated with well-known choreographers such as Pieter de Ruiter, Jennifer Hanna, Itzik Galili, Omar Rajeh, and Heather Ware, and worked with filmmaker Ivar Hagendoorn on two dance films.

In 2002, Lia became a regular artist with the acclaimed Dutch dance company LeineRoebana, where she performed in a variety of productions. Her work continued to evolve and she later took on teaching roles in contemporary and ballet dance at the Dutch National Ballet Academy, the Amsterdam Academy for Theater and Dance, Codarts, and Arts Umbrella.

In 2019, Lia joined Dance On Ensemble, and has performed in works by choreographers Nicole Beutler, Christos Papadopoulos, Jan Martens, Lucinda Childs, Colette Sadler, Ginevra Panzetti, Enrico Ticcino, and Rabih Mroué.

 

Works In Silence

Works In Silence – Lucinda Childs & Dance On Ensemble | STUK House for Dance, Image and Sound, Leuven (Premiere – canceled because of the Coronavirus)

Story

A re-imagining of Story
Choreography:  Merce Cunningham

Additional choreographic directions and material developed by the Dance On Ensemble under the direction of Daniel Squire.

Based on the 1963 dance Story, choreographed by Merce Cunningham. An indeterminate work reconfigured for each show using both chance operations and in-performance decision making.

Composer: Toshi Ichiyanagi
Set, Costumes, Lighting
after the concepts of Robert Rauschenberg
Cast: Ty Boomershine, Emma Lewis, Gesine Moog, Miki Orihara, Tim Persent, Marco Volta 
Live-Music: Rabih Mroué, Mattef Kuhlmey, Tobias Weber
Artist: John Bock

Stager: Daniel Squire
Light: Patrick Lauckner/Falk Dittrich
Sound: Mattef Kuhlmey
Costume: Sophia Piepenbrock-Saitz 
Assistent to the director: Clarissa Omiecienski

Story was first performed by the Merce Cunningham Dance Company on July 24, 1963 at the University of California, Los Angeles.  During the sixteen months it remained in the company’s repertory, it was performed forty-eight times in forty-one different venues. The structure of Story was indeterminate: the overall duration, the sections used, and the order of the sections all changed from one performance to the next. The dancers could make choices about the space, time and order of their movements.  Toshi Ichiyanagi’s music also gave the musicians options about instrumentation and duration of sound. Robert Rauschenberg constructed a new set for each performance, using material he found in or near the theater. His costume design involved a basic outfit of leotards and tights over which the dancers could wear an assortment of garments, changing as often as they wished.

The archival record of Story is limited.  There is only one recording of the dance, a kinescope of a 1964 live telecast in Helsinki, Finland.  This recording represents one possible outcome of the indeterminate structure, but it does not capture the full spectrum of material and options.  Merce Cunningham’s choreographic notes provide additional information, as do anecdotal accounts.  But certain aspects of the dance remain unknown. 

Given these circumstances, a typical reconstruction of Story is not possible.  Dance On Ensemble has, instead, undertaken a re-imagination of the piece.  Drawing on archival resources, Daniel Squire, an experienced stager of Merce Cunningham’s work, has taught the movement and options that are known, and guided the dancers to invent new material to be integrated into the indeterminate structure.  Similarly, Patrick Lauckner will create lighting designs in keeping with the original concepts and spirit of Story, while Berlin artist John Bock has taken on the role of Robert Rauschenberg offering ready-made constructions along with other variable and changing art works to engage with. Toshi Ichiyanagi’s Sapporo performed by Rabih Mroué, Mattef Kuhlmey and Tobias Weber completes the work.  The result, Berlin Story, reexamines and reanimates a dance last presented 55 years ago.

Premiere: 23 August 2019, Tanz im August, Volksbühne Berlin

This work is performed in the evening “Making Dances” with the choreographic response “never ending (Story)” by Mathilde Monnier, but can be presented singularly.

This program is presented as part of the Cunningham Centennial celebration.

Production: Dance On/DIEHL+RITTER