{"id":970,"date":"2024-05-06T09:41:16","date_gmt":"2024-05-06T07:41:16","guid":{"rendered":"https:\/\/dance-on.net\/en\/?p=970"},"modified":"2025-05-19T14:54:35","modified_gmt":"2025-05-19T12:54:35","slug":"glitch-witch","status":"publish","type":"post","link":"https:\/\/dance-on.net\/en\/productions\/glitch-witch\/","title":{"rendered":"GLITCH WITCH"},"content":{"rendered":"<p><strong>Meg Stuart\/Damaged Goods &amp; Dance On Ensemble<\/strong><\/p>\n<p><strong>Choreography:<\/strong> Meg Stuart<br \/>\n<strong>With:<\/strong> Omagbitse Omagbemi, Meg Stuart, Mieko Suzuki<\/p>\n<p><strong>Live music:<\/strong> Mieko Suzuki<br \/>\n<strong>Scenography:<\/strong> Nadia Lauro<br \/>\n<strong>Light design:<\/strong> Nico de Rooij<br \/>\n<strong>Costume design:<\/strong> Claudia Hill<br \/>\n<strong>Dramaturgy:<\/strong> Igor Dobri\u010di\u0107<br \/>\n<strong>Artistic assistants:<\/strong> Luna Luz Sanchez, Valentin Braun<br \/>\n<strong>Technical coordinator:<\/strong> Tom De Langhe<\/p>\n<p><strong>Production:<\/strong> Damaged Goods and DANCE ON \/ Bureau Ritter<br \/>\n<strong>Coproduction:<\/strong> Th\u00e9\u00e2tre Garonne \u2013 sc\u00e8ne europ\u00e9enne Toulouse, Centre Chor\u00e9graphique National d\u2019Orl\u00e9ans \u2013 Direction Maud Le Pladec, HAU Hebbel am Ufer Berlin, Tanzquartier Wien, PACT Zollverein Essen, Kunstencentrum VIERNULVIER Ghent, Perpodium<\/p>\n<p>Choreographer Meg Stuart and Dance On Ensemble dancer Omagbitse Omagbemi create a trio with composer and musician Mieko Suzuki in the framework of the Dance On series \u2018Encounters\u2019, where choreographers become visible on stage in a meeting with a member of the ensemble. This new work touches on fundamental questions: how do we share a creative process? What is the balance between a choreographic desire and freedom of interpretation? How can we transgress and reinvent our roles?<\/p>\n<p>Meg Stuart has always considered her own body as a site, a testing ground. By dancing in her own pieces, she intuitively deconstructs the choreographic principles that she tries to articulate. Omagbitse brings another perspective to this search. Beneath the raw physicality that characterizes Stuart\u2019s style, she recognizes first and foremost a quiet care and attention to detail. Playing with these seemingly opposing traits, the three collaborators look for a common ground and a shared language. Cumulating, morphing, becoming, they move towards a group portrait that remains just out of reach.<\/p>\n<p><strong>Premiere<\/strong>: 16, 17, 18 October 2024, Th\u00e9\u00e2tre Garonne, Toulouse (FR)<br \/>\n<strong>On tour:<\/strong> from December 2024<\/p>\n<p><strong>With the support of Goethe-Institut and the tax shelter measure of the Belgian Federal Government via Cronos Invest.<\/strong><\/p>\n<p><strong>The residency in Orl\u00e9ans is supported by Culture Moves Europe, a project funded by the European Union and Goethe-Institut.<\/strong><\/p>\n<p><strong>Damaged Goods is supported by the Flemish Government and Flemish Community Commission. Meg Stuart\/Damaged Goods is artist-in-residence at Kunstencentrum<\/strong><br \/>\n<strong>VIERNULVIER (Ghent).<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Meg Stuart\/Damaged Goods &amp; Dance On Ensemble Choreography: Meg Stuart With: Omagbitse Omagbemi, Meg Stuart, Mieko Suzuki Live music: Mieko Suzuki Scenography: Nadia Lauro Light design: Nico de Rooij Costume design: Claudia Hill Dramaturgy: Igor Dobri\u010di\u0107 Artistic assistants: Luna Luz Sanchez, Valentin Braun Technical coordinator: Tom De Langhe Production: Damaged Goods and DANCE ON \/ [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"content-produktionen.php","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-970","post","type-post","status-publish","format-standard","hentry","category-productions"],"acf":[],"_links":{"self":[{"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/posts\/970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/comments?post=970"}],"version-history":[{"count":0,"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/posts\/970\/revisions"}],"wp:attachment":[{"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/media?parent=970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/categories?post=970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dance-on.net\/en\/wp-json\/wp\/v2\/tags?post=970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}